Field Notes Inside an Integrated Communications Agency

camera

  • Adobe's Magic Lens Lets You Control Image Depth After the Shot

    Using 19 smaller lenses, Adobe's "Magic Lens", shoots the object from multiple angles simultaneously, enabling you to control the image's depth of field and camera angle.


    Adobe Magic Lens

  • Atrocity via the one megapixel lens

    Atrocity via the one megapixel lens

    One of the most interesting aspects of the recent developments in Myanmar
    (Burma), beyond the obvious peaceful defiance of thousands of Buddhist monks
    and the deplorable treatment by the ruling junta, has been how this news has
    reached us.

    The ruling military junta has extremely strict regulations against both
    journalism and the internet.

    Individual citizens are reporting on the remarkable stand Buddhist monks and
    ordinary people are making in response to unreasonable raises in fuel costs
    through text messages, cell phone images and blogs.

    They are reporting a stand their county is making in the face of known
    consequences. The last protest resulted in 3,000 deaths. At least nine have
    died thus far as protestors have ignored the junta's warnings.

    This AP article details how individuals aren't using cell phones and the
    internet to be innovative, but rather because this story has to be told and
    they are using whatever means available.

    More than anything, I believe this exemplifies the necessity for
    storytelling, but also the means to which stories are now being told.
    Traditional journalism, while not dead, is certainly not as healthy as days
    when writers like Ernest Hemingway sent dispatches from the front to eager
    readers back home.

    What we receive now is raw, grainy and at times completely incomprehensible
    (as exemplified by some of the footage leaving Myanmar via one to two
    megapixel video), but at the same time it is honest, real and moving.