The company that gave us one of the world's most horrific environmental disasters is now serving up another spectacle -- this one colored green rather than muck-black. Two decades after the Valdez spill, a corporate fight is spilling out of Exxon's boardroom.
As reported by The New York Times, the Rockefeller family wants to strip Rex W. Tillerson of his position as chairman because of perceived foot-dragging on sustainability issues.
It's encouraging to see business titans battling to determine how to be strategically, effectively, profitably green. Thomas "The World is Flat" Friedman indicated the green revolution won't have really started until people stop talking happy and start throwing elbows. At that point we'll know something big is at stake. Dressing down a a board chairman looks pretty big from here.
What does Exxon do next? Probably, the media attention means it has to get more out front on sustainability. Chalk one up for the Rockefellers and the planet.
This panel will be a combination of forward vision and practical advice from vendors and enterprises that are successfully leveraging social media today for business results. We'll discuss the pros and cons of growing a social media effort from within or hire a "ringer" to be part of the team. This is a new area for marketing manegement so the panelist will give their best advice on how to work with a manager who has no social media experience.
Other questions to discuss will be:
Getting approval from the C-level people. Why are they afraid of social marketing - how do you approach them on metrics - knowing there is not a clear answer on it?
Focus:
CXO types: each one has a different perspective and observes different risks.
Seth Godin - metrics - gives you a lot of good stuff to think about.
Most companies don't know how to deliver a good customer experience.
People driving social media from the bottom up and the top-down. Excited manager does not mean action. Peer pressure as a last resort will work.
Use a phased approach to determine readiness:
Demonstrate metrics internally before demonstrating externally. Show productivity gains. (you can do this through corporate intranets, etc)
If you have problems with your products, fix the product and then dive into conversation marketing.
METRICS - without the right strategy, you don't have anything.
Multiple opens and forwards are better than clicks and opens, but everyone looks at clicks and opens. Clicks and opens don't measure the viral aspect of it. It is not that we have the wrong metrics - it is that we are looking at the wrong thing
Focus on sentiment marketing; pro, negative or neutral. Aim these tools at the watering holes to see if the message gets accross.
Start with traditional metrics and then move on. Traffic to blogs generally supercede traffic to the regular site. How many people are visiting a blog? A blog can easily have a listening audience of 15,000 people because new messages are broadcast every day.
Of note: This panel ended up opening the session up to the twitter crowd because everyone was complaining (on twitter) so much that the session was not focusing on what they wanted it to focus.
Charles McGrath, in his Feb 17 New York Times article, points out that while National Public Radio's listenership is growing, PBS television, he believes, has seen it's best days, and may perhaps be no longer relevant or necessary.
I couldn't disagree more.
We now live in a climate where local printed newspapers are in sharp decline, and where the cynical irony in Fox News Channel's name and slogan goes unchallenged. Even my parent's nightly network news broadcasts have devolved into 15 minutes of entertainment interspersed between 15 minutes of drug company commercials. In this climate where journalistic integrity and high standards are the exception rather than the rule, it seems to me that shows like the News Hour with Jim Lehrer, NC Now, and Frontline are now more important than ever - certainly not less.
Despite years of siege by politicians who seem to prefer the tractibility and journalistic abdication prevalent on Britney-obsessed cable news outlets - and make no mistake, their issue with PBS is the news - PBS television remains one of the only places to get trustworthy news on television.
As McGrath points out in his article (the title is sharper than the content of the piece itself), the answer to whatever woes PBS television may be facing is more public funding, not less. It seems miraculous to me that PBS can, on pennies, continue to do what Big Corporate Media seems unable to do with all it's billions of dollars. In truth, perhaps the absence of billions is the secret of PBS' success. But while we wait for more public funding for PBS television, that miracle has an earthly foundation.
The rise of social media, user-generated content, instant pop culture icons and hefty licensing deals are blurring the lines of intellectual property and public domain issues. Understanding copyright laws and their intention is becoming increasing difficult to navigate.
Copyright issues are complex and exhausting but I admit I really dig it. At Capstrat we don’t attempt to know all the details. We seek legal advice. There are pounds and pounds of material written on copyrights. Even the brief from the patent web site is 277 pages! That’s impossible to reference on a daily basis. Below are a few frequently asked questions that assist us in making the right decisions.
What’s the benefit of using copyright-protected work? It often adds instant value or credibility to the message. These references are often the golden threads that tie cultures together. Companies spend millions to develop their property by creating awareness and affinity.
What options do I have for using others’ material in my work? If copyright-protected, you must gain permission from the owner. That often involves compensation. Obviously the more popular the material, the heftier the fee. If in the public domain, the work is available for use.
What happens if I do not gain permission? You risk lawsuit. Companies (and courts) place a high value on intellectual property. Infringement means loss of revenue to these companies. They protect against infringement vigilantly.
It’s only for internal use, isn’t that okay? No. When you infringe on someone’s copyright you break the law. The risk may be lowered with a limited audience, but there is still risk.
Imagine speeding through a stoplight at 85 mph. You’re breaking the law whether an officer is there to catch you or not. In addition, today’s instant message world means nothing truly stays exclusively internal. Fact is, some of the recent lawsuits were initiated by an internal whistle blower. Large, deep-pocketed companies are increasingly sensitive to this.
What about if I buy the movie or CD, can I use it then? No. The price you pay does not mean you own the rights any more than buying a copy of “Bonfire of the Vanities” makes you Tom Wolfe.
Can’t I simply change it a little, so it is not exact? The purpose of using valuable copyright-protected materials means utilizing the equity in that material. To be safe from infringement your work would need to change so it is not recognizable by the average person.
If your work is still recognizable, then it’s infringement. Confusion comes from parodies happening before 1982 law changes. We’ve all seen fake products that rip off well-known brands (like Beerwiser). Big brand names believe this causes marketplace confusion resulting in lost revenue.
How about just a snippet, like a sample? Again, without permission and recognizable, it is risky. Obviously, the more recognizable the more the risk of infringement.
So, how do rappers get away with it? They either gain permission from the owner, are forgiven because of their artistic merit or pay huge settlements. Two words: Vanilla Ice.
Are there legal ways to use protected material without permission? Yes. Certain uses of copyrighted materials are protected under law. Artistic expression, including satire and parody, editorial, critique or educational purposes are common. The important distinction is that although businesses educate their employees or produce editorial content, their mission is primarily to make money. That is not protected by copyright law.
So, if I shoot a photo of Madonna then it’s mine to use, right? Yes and no. You own the copyright to the photograph. However, due to the “Right of Celebrity” clause, you do not have the right to use a celebrity’s likeness without permission. It’s important to realize that “likeness” covers not just image but also name, nickname, voice characterization, catch phrases and identifying elements such clothing or hairstyle. Basically anything that can be related to a particular celebrity is protected. Bette Midler was awarded $400,000 from Ford Motor Company because they used a look alike.
How do TV shows, like SNL get away with parody? A Saturday Night Live parody is theatre and considered artistic expression. The network buys episodes from the production company. The network then sells airtime to advertisers to help fund its shows.
Some of my favorite copyright stories:
Basketball bad boy Dennis Rodman filed for copyright protection for his tattoos.
Carlos Santana and George Benson filed to protect their guitar “sound.”
Johnny Carson once filed suit against a company called “Here’s Johnny Portable Toilets.”
Harley-Davidson filed to trademark their distinctive sound. Nine competitors filed opposition arguing their engines sound similar. After six years of litigation, Harley-Davidson withdrew the application.
Experience is proving to be a key issue on both sides of the aisle in the '08 presidential elections. I've noticed throughout the pre-caucus melee that experience has been talked about far more amongst the candidates themselves than in my supermarket or my local watering hole. Those with have attacked relentlessly those without, and those without (or with less) have set their jaw and refused to be shaken. Wednesday's events in Pakistan have thrown a curve ball to the candidates, putting their foreign policy credentials under the microscope with little time for them to prepare their statements.
Clever strategists have armed their people with back doors and sidesteps and comebacks and Ooooooooh no he DIDN'T! answers for every attack. Noone wants to take a stance on anything! It's all about who's experienced enough to make the best decision, should that decision need to be made anytime in the next four years. Consequently, we are getting a bounty of absolutely riveting political drama. CNN has turned SportsCenter; I can tune in on the half-hour to get a fresh highlight montage of one-liners, sound bytes and eloquent-yet-completely-bewildering-and-incomprehensible question dodges. Taking advantage of the free press, this week the presidential candidates have offered more of the same.
Huckabee apologized to Pakistan for the assassination. A small misstatement; his good intentions were obvious and sincere. But the blogosphere is sparkling with questions of his ability to manage policy issues. Zoinks! It's common knowledge that he has little foreign policy experience. But if you heart Huckabee...it's probably not going to rock your opinion of the man. It's fun to laugh and point, but honestly, in a few days it'll be forgotten, and his charismatic thing that he's working will shine through again, and it's back to the races. You can't not like the guy, you know?
Clinton...okay, touché, Hillary. She's hit a little smooth patch with this one. She's mostly letting the experience she gained with Bhutto during the nineties speak for itself.
Giuliani had what seemed to me a small, muted Howard Dean moment, blurting out that blame was with 'the Islamic terrorists' and soothsaying ominously that the same could happen in OUR cities unless...
Obama did his thing, too. I don't even remember what he said, but it was beautiful. And he really, really meant it.
All of the candidates released statements of sadness and concern for the family and loved ones of Bhutto, and concern for the region in general. It is indeed sad, and we should be concerned. Benazir Bhutto was a [re-]rising star in Pakistan, with a promise of diplomacy and moderation that has left a void in it's absence. The candidates were correct and responsible in offering their condolences. But beyond that? Pure opportunistic theater. Those with direct or indirect foreign policy experience with Pakistan positively wiggled with excitement (I am imagining my little dog Maddie being wagged by her spastic tail after seeing me for the first time in 8 hours) at the opportunity to show it off. Those without barely broke stride in falling back on their individual strengths, lulling me into tranquil assuredness that their lack of experience won't be a problem.
I can't speak for others, but for myself, I am trying to really get a sense of who all of these people are, and how they are. Voting records are important to me, but not nearly as important as the character of the candidates. A person with strength of character will vote to make the right decision, and it may not always follow party lines. I see right through all the finger-pointing. I'm barely paying attention to the watered-down droll anymore - talk to me in six months. But you better believe I'm tuning in for my highlights. Da da da. Da da da...
Let me paint the picture that Adobe is dreaming. Imagine software as fast as a desktop application, but as Internet capable as a browser. Imagine getting your favorite TV shows on demand.
Not enough you say? TIVO does that?
OK. Now imagine if it's as open and social as YouTube. Imagine CBS programming next to the most local, niche, weird, or highly specialized show. Or your show! Not only can you post your videos, now you can have your very own TV channel.
Of course you can subscribe and get the newest episodes as soon as they are released. And once you download them, shows are local to you computer. Take them with you. Watch them on the train or on the way to the beach.
Now, hitch all this up to a next generation advertising and sales model. Shows can be free, ad-based, or subscription based. Not only can ads can be live and contextual, they can be based on timecode in the show. You can actually advertise things that people see in context of the show, in real time. Oh yea, and ads aren't restricted to a banner, they can overlay the show and can be contain video of their own.
Now if you are in the communications business, image helping your clients harness all this potential. Imagine working with them to develop a TV show concept that will extend their brand into this new, decentralized TV world. Image the research, design, and execution effort that it will take.
You can see Adobe positioning itself in the center of the Internet video universe. It released the Flash video format, now used by YouTube and Google. It upgraded the Adobe Flash player to support high def video, it created tools to extend Flash as an application development platform . Now it's partnering with online video companies and Internet ad networks.
Now that all the pieces are in place, Adobe has finally begun an earnest development of the Adobe Media Player.
So what are you doing to align your self with this new world of TV?
While our friends and family members gripe at the possibility of not having their weekly fix of shiny new programming, the writers strike may have greater implications on our line of work. Although still in the beginning stages of the strike, it is important that we monitor the livelihood of North Carolinian's favorite programming. Currently it appears that the only casualty of the strike is late night programming, which fortunately for our clients, is not currently something we typically buy. The continuation of the strike, however, could have negative repercussions in the number of viewers who regularly tune in to see their favorite prime time scripted dramas.
Only time will tell what happens with this strike. Possibly we will see a further increase in cable ratings as viewers attempt to fill the void with different programming, or maybe more people will turn to online sources to view shows. Regardless of how this story plays out, the important thing to remember is there are always other ways to gain viewers even with declining TV ratings. Possibly we will find lower rates offered in 1Q 2008 for big-ticket items like Desperate Housewives. Either way it is more important than ever that we continue to explore other opportunities in media placement as we watch the changing face of broadcast television.
And then there is always American Idol...